Watching berserk action movies every day really makes you notice things – like the dire necessity for an evil henchman training school. Without fail, these useless dunderheads are horrible shots, though they do provide excellent cannon fodder for hard heroes like Arnold Schwarzenegger in 1996’s Eraser. In Chuck Russell’s carnage-tastic thriller, Arnie is villain-smiting witness protection agent John Kruger who specialises in ‘erasing’ endangered witnesses, helping them ‘disappear’ to start new lives.
Tag: Dolph Lundgren
Welcome, combat fans, to part two of my epic, foolhardy crusade! This week, Chuck Norris is icy-cool in Lone Wolf McQuade director Steve Carver’s stylish revenge thriller An Eye For An Eye (1981). Chuck is Sean Kane, kicked off the police force for karate kicking a guy out of a window, instead of reading him his rights, following the murder of his partner. Out for revenge, Kane cruises about in a kickass speedboat, dispensing vigilante justice and inviting tidy female reporters back to his lakeside gaff.
They’re unkillable, unstoppable, unflappable and irresistible. They’re the masters of the outrageous, racking up unfeasibly high body counts, smirking in the face of danger, always ready with a sly quip right before they blow the shit out of absolutely everything. Charismatic, stoic and determined, these Spartans never give up, overcoming unbelievable odds and despicable villains to save the day. They’re cinema’s greatest warriors, titans who walk among us, proving time and time again that there’s no problem, however big or small, that can’t be solved with a hearty fistful of dynamic, pulse-quickening, edge-of-your-seat violence.